• 
• 2012
• US
• 142 min
• 12A

• Directed by: Joss Whedon
• Written by: Zak Penn (screenplay), Joss Whedon (screenplay)
• Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Samuel L Jackson

Big blockbuster superhero action as Iron Man, Thor, The Hulk, Captain America, Black Widow and Hawkeye team up to save the world.

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• 
• 2011
• UK
• 118 min
• 12A

• Directed by: John Madden
• Written by: Ol Parker
• Cast: Judi Dench, Maggie Smith, Bill Nighy, Tom Wilkinson

Despite an irresistible army of pension-age talent including Dench, Smith and Wilkinson, all on excellent form, this story about a group of unconnected British retirees who come to the titular hotel in Jaipur and find resolution for their various issues and challenges, feels too calculated to offer anything more than disposable entertainment at best, and cheaply manipulative emotional kicks at worst.

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• 
• 2011
• France
• 108 min
• 12A

• Directed by: David Foenkinos/Stéphane Foenkinos
• Cast: Audrey Tautou, François Damiens, Bruno Todeschini

Recently widowed Nathalie (Tautou) contemplates a union with clumsy workmate Markus (Damiens). Perhaps only French cinema values beauty so highly that an entire film can be drawn out of the prospect of a not-that-good-looking man getting it on with Audrey Tautou; despite considerable charm, there’s little else to hold on to.

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• 
• 2012
• UK/US
• 88 min
• U

• Directed by: Peter Lord/Jeff Newitt
• Cast: Hugh Grant, Salma Hayek, Jeremy Piven, Imelda Staunton, David Tennant

An inept pirate captain (Grant) attempts to win Pirate of the Year competition with the help of a young Charles Darwin (Tennant). Aardman's humour sometimes seems dated but Grant is pleasing, the visuals are enchanting, Staunton's Queen Victoria is a riot and there's much for the whole family to treasure.

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• 
• 2011
• UK
• 111 min
• 12A

• Directed by: Lasse Halström
• Written by: Simon Beaufoy
• Cast: Ewan Mcgregor, Emily Blunt, Kristin Scott Thomas

A nerdish fisheries expert (McGregor) and a sophisticated legal aide (Blunt) are recruited by an angling-obsessed sheik (Waked) to realize the vision of the title. What worked on the page is an insubstantial muddle on film, thanks to an unfocused script and Hallström’s preference for broad emotions over subtlety and complexity.

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