• 1999
  • 1h 55min
  • Directed by: Takashi Miike
  • Cast: Ryo Ishibashi, Eihi Shiina, Tetsu Sawaki

'Where have all the good girls gone?' asks the chauvinistic Yoshikawa of his widowed, middle-aged business partner Aoyama (Ishibashi). The latter thinks he's found one, when he sets up a series of auditions to select a new wife: former ballerina Asami (Shiina), who's young, beautiful, and submissive. But where have the scars on her legs come from, and what is the nature of her interest in pain? After a deliberately measured build-up, Takashi assaults the viewer's senses with a truly nightmarish finale, which threatens to overwhelm the film's critique of male Japanese attitudes to women.

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Director: Takashi Miike, Producers: Satoshi Fukushima, Akemi Suyama, Writer: Daisuke Tengan (from the novel by Ryû Murakami), Cinematographer: Hideo Yamamoto, Editor: Yasushi Shimamura, Cast: Ryo Ishibashi, Eihi Shiina, Tetsu Sawaki, Jun Kunimura.

Persuaded by his teenage son to start dating again, shy widower Shigeharu Aoyama turns to his film producer friend Yasuhisa Yoshikawa for advice and support. Yasuhisa determines to organise a sham casting call for a non-existent movie, which will enable his socially awkward friend to meet lots of beautiful women. When the soft-spoken, enigmatic Asami shows up to audition, Shigeharu quickly becomes obsessed with her, never suspecting that she has a sinister agenda of her own…

The film that first introduced the wildly unpredictable and hyper-prolific maverick maestro Miike to a wider Western Audience (it was one of SEVEN films he shot that year!), is a pitch-perfect pairing with the equally controversial and confrontational literary outlaw Ryu Murakami, which spins the latter's sour, satiric psycho-thriller source novel into an elegant, tonally slippery, deeply uncomfortable black comedy of cruelty and comeuppance; a mordant study of middle class social mores, male entitlement, and casual misogyny, which shifts inexorably into pure nightmare. Shot with icy control, and all the more horrifying for the matter of fact understatement of its nastiest sequences, it features an astonishing, terrifying performance from the extraordinary Eihi Shiina as Asami; a chilling study in inhuman stillness, with her impassive, emotionless, masklike face and flatly cooing voice. Oh, and there's also one of the greatest jump-scares in the history of cinema; one which never fails to unsettle, no matter how many times you see it.

Showing on 7th August 2021 - JOHN CARPENTER DAY 13:00 PRINCE OF DARKNESS (15) 15:10 BIG TROUBLE IN LITTLE CHINA (15) 17:20 THEY LIVE (18) 19:20 IN THE MOUTH OF MADNESS (15)

Showing on 22nd August 2021 - WES CRAVEN DAY 13:00 THE HILLS HAVE EYES (18) 15:00 SCREAM (18) 17:15 THE PEOPLE UNDER THE STAIRS (18) 19:10 A NIGHTMARE ON ELM STREET (18)

Showing on 31st October 2021 - JAPANESE HORROR SPECIAL  13:00 TETSUO: THE IRON MAN (18) 15:00 AUDITION (18) 17:15 DARK WATER (18) 19:10 ONE CUT OF THE DEAD (18)

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