For Those in Peril
- 1h 33min
- Directed by: Paul Wright
- Written by: Paul Wright
- Cast: Kate Dickie, George MacKay, Michael Smiley
- UK release: 4 October 2013
A young misfit is the only survivor from a fatal fishing trip in which five men from his remote Scottish community are lost at sea. When the superstitious locals lay the blame on him, he resolves to recover the lost men.
This film is not currently showing in cinemas.
Six men went out to sea, but only one came back.
Aaron (George Mackay) is the lone survivor of a fishing trip that claimed the lives of five men including his older brother, Michael (Jordan Young). Unable to remember the details of their trip, and feeling the weight of the community’s collective grief, Aaron’s sense of helplessness escalates into the belief that Michael and the other men, somehow survived. Beautifully shot and sensitively performed, Paul Wright’s folkloric film imaginatively explores love and loss.
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Reviews & features
Profile: Paul Wright, writer/director of For Those in Peril16 Sep 2013
The Scottish drama stars George MacKay as the lone survivor of a shipwreck
Born 1981, Fife Background Paul Wright moved to Edinburgh to study photography before developing an interest in cinema. He enrolled at Glasgow’s Royal Scottish Academy of Music and Drama before catching the eye of the National Film and Television…
Autumn film preview 2013: Filth, Sunshine on Leith and For Those in Peril23 Aug 2013
The three highly anticipated Scottish films suggest something of a national filmmaking resurgence
Autumn 2013 is shaping up to be another critical juncture in the story of Scottish filmmaking. Like the mythical Brigadoon, the notion of a national film and television studio has made its traditional appearance from behind a billowing mist of caution…
For Those in Peril2 Jul 2013
Paul Wright's debut is original in its idea, style and conception, and made with loving dedication
Paul Wright’s feature debut is a sad, salt-streaked fable with the timelessness and sour melodrama of a sea shanty, if little of the boisterousness. Its style takes two strains of strongly Scottish-linked cinema - the grim social realist drama of…
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